cread | read & see

Cross Roads by William Paul Young was a Christmas present for my 22-year-old son and while he takes time to get around to it, I've leapt in for the purposes of review. Cain by Jose Saramago had earned a 'staff recommendation' tag at Better Read than Dead in Newtown, Sydney, and so I took their lead and bought it on a lazy Sunday afternoon. For a time I read them side by side, a literary juxtaposition : Cross Roads by a US Christian novelist famous for writing the bestseller, The Shack , who offended some religious sensibilities in the process. Events in his new novel are based inside someone's being, located in his home state of Oregon.   Cain by a Nobel-prize winning, deceased Portuguese author also known for offending religious sensibilities and being a self-confessed communist, atheist and pessimist. Events in this his last book are seen through the eyes of the first child of Adam and Eve and occur at the beginning of time and space. Both tell a mess

When forming beliefs and ideas are you more influenced by a powerful story or compelling facts and information? Shortly Cread will publish a joint review of José Saramago’s Cain (2010), alongside William Paul Young's Cross Roads (2012) and compare their use of narrative fiction to declare a view of God. They employ radically different forms matched by the divergence of the 'message' they convey. But is one more successful than the other in influencing, moving or informing readers? Or is that even the goal? One of the great dangers of fiction writing is 'telling' rather than 'showing' and books that seek to communicate a pre-determined message are particularly vulnerable. Which is not to say that most authors do not intend to communicate values to their readers. The reality is that, even sub-consciously, authors fill their novels with their values and beliefs, carrying them along in their characters and plots. Perhaps the more sub-conscious this is,

“I didn’t need a next book, I have everything that matters to me,” author of The Shack , William Paul Young, told Publisher's Weekly earlier this year. But a much-anticipated new book is exactly what he has with the novel Cross Roads published worldwide this week (Faith Words - Hatchette Group, hardcover, 480 pages) although in Australia it is available as 304 page paperback . Once again Young turns to fiction as spiritual metaphor and this time the main character is not working out his pain in a shack in the woods but reassessing his life while in a coma: "Anthony Spencer is egotistical, proud of being a self-made business success at the peak of his game, even though the cost of winning was painfully high. A cerebral hemorrhage leaves Tony comatose in a hospital ICU. He 'awakens' to find himself in a surreal world, a 'living' landscape that mirrors dimensions of his earthly life, from the beautiful to the corrupt. It is here that he has vivid interac